I thought I heard ? that the current "spectrum profile" impacts the harmonic balance produced especially at the beginning of the sound envelope.
#Pianoteq ipad pro#
My need (besides a better ear and a more flexible wrist), would be to benefit in a future evolution of the pro version, more parameters to refine the setting obtained from a real piano. fxp obtained on the site when I will have readjusted (for the capture of pianoteq) with version 6.2, and would do if I have the time a try also with the new model Steingraeber. fxp is currently "mechanically" out of my computer processing without readjustment to the indisputably necessary ear.I would put the. (At the current stage of my work as a beginner with Pianoteq pro, my.
#Pianoteq ipad full#
We also find some of the defects of the original piano bosen 200 (35 years old) that does not have the full extent of the imperial bosendorfer on which sskuk1 based and some parasitic vibrations in the acute. The "raw" result is appalling, but by "reconstructing" a function of rescale dividing by 4 the level (dividing by more - according to an interpolled function imitating the rescale of pianoteq - when the difference exceeds 10db), we arrive at something listenable, or we find part of the timbre of the original piano (although less subtle than the. Then comparing the level of each partial of the same note to the same level between pianoteq and the actual piano, for a given note, (automatically thankfully), I then place manually in the clipboard (Ctl-C / Ctl-V ), the edited result (in the format expected by pianoteq), so that Ptq retrieves it in its "note edit / spectrum profile" window. to limit the loss of the level of high harmonics. I used spectral windows halved each new octave (65k, 32k, up to 512 for the highest notes).
#Pianoteq ipad software#
Mei-Ting-Sun-2009-feux-follets-liszt / overview fxp BM Bosen 200 V0.8 / ptq 6.2.0īeing a former software developer (amateur pianist, unfortunately without the ear of a good piano tuner nor the mathematical skills to understand the detail of the modeling sought), I recorded each note of our piano level ff, retrieved the maximum level of each partial (based on the partial frequencies proposed by Pianoteq pro) by retrieving the spectrum values (Blackman-Harris) from Audacity, starting each sample analyzed at the beginning of the decay period of the 'envelope. Rachman prelude C sharp min op3 n2 / overview fxp BM Bosen 200 V0.8 / ptq 6.2.0
#Pianoteq ipad download#
Overview same examples (work in progress) generated with pianoteq 6.2: (beware of the size of the files above 5mb (use preferably "other file" download on the menu bar.) fxp sskuk1, having the chance to access a Bosen 200 family every day. I have recently tried to build a Bosendorfer 200.
Mei-Ting-Sun-2009-feux-follets-liszt / sskuk1 fxp bosendorfer imperial / ptq 6.2.0 Rachman prelude C sharp min op3 n2 / sskuk1 bosendorfer imperial / ptq 6.2.0
mp3 generated by pianoteq are big, better is to download them on the "Other file" pianoteq forum menu bar) fxp created by sskuk1, which benefits greatly from the improvements of ptq 6.2 (link: Bosendorfer Imperial provided you have the model Blüthner of pianoteq )Įxamples: (as files. In the case of the Bösendorfer imperial, I invite you to revisit with the new version Pianoteq 6.2 the excellent model of. Even if this approach meets its limits in the absence of specific model (desirable) for a given type of piano. fxp models, usable with the Standard version and buildable with the Pro version. Yes, maybe? will it be difficult for Modartt to collaborate officially with brands like Yamaha (and unfortunately perhaps even Bösendorfer - bought by Yamaha).
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